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[classical, post-rock] (2015) Ben Chatwin - The Sleeper Awakes [FLAC,Tracks] {100.XY}

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(2015) Ben Chatwin - The Sleeper Awakes


Review:
That Ben Chatwin decided to release The Sleeper Awakes under his birth name
rather than his established Talvihorros alias is significant. Such a move by an artist often suggests that the release
in question will feature material of a more personal nature, though this doesn’t strike me as the case here,
given the immediacy with which Talvihorros material connects with the listener. By his own admission, he made the
decision to divest himself of whatever baggage had accrued to the Talvihorros name and grant himself a fresh start. To
these ears, however, the move signifies in a more dramatic way: in contrast to the guitar-oriented soundscaping style
associated with Talvihorros, The Sleeper Awakes not only recasts Ben Chatwin as a multi-instrumentalist but also
strongly argues for his talents as an arranger and composer more than soundscaper.
Written and recorded at
Chatwin’s newly adopted home studio in Scotland, The Sleeper Awakes was inspired, interestingly enough, by the
writing of H. G. Wells, specifically, in Chatwin’s own words, “the idea of a future that has been and gone.
Before the information and telecommunications revolution there was a beautiful yet weird naivety about what the future
might bring, and it was this that I tried to tap into whilst making the record.” As a way of evoking that period
feel, Chatwin worked into the album material the sound of a 100-year-old Dulcitone, in effect pairing older, traditional
instruments like it with modern recording techniques and sounds. Though he’s credited with most of the
instruments on the album, guests such as William Ryan Fritch (who contributed cello, viola, clarinet, and voice to a
couple of tracks), Maarten Vos (cello on “Sirius”), Joel Hanson (hammered dulcimer on “In the
Fire”), and Sarah Kemp (violin on “Insomnia”) also appear on the project.
No one should presume,
however, based on the preceding that Chatwin’s set his guitar aside on The Sleeper Awakes: while Vos’s
cello figures prominently into the metronomic opener, “Sirius” positions Chatwin’s chiming guitar
lines front and center as the primary melodic voice, and there’s even some fuzz-toned textures billowing in the
background to lend the somewhat foreboding setting a strong Talvihorros feel. By comparison, the hypnotic, strings-laced
second track “Atoms of Amber” exemplifies a Victorian-styled ambiance that’s very much in line with
Chatwin’s concept for the release, while “Darwinism” similarly distances itself from anything
Talvihorros-related in its emphasis on strings and tinkling patterns. The addition of Hanson’s hammered dulcimer
to “In the Fire” accomplishes much the same thing whilst also expanding the album’s soundworld into
exotic spaces; the presence of Fritch, an always invaluable contributor, looms large in such a piece, specifically in
the orchestral expansiveness of the arrangement. The early and modern eras appear to collide within
“Insomnia” when synthesizers appear alongside the swoop of Kemp’s violin, and there are moments
(e.g., “Mirroring”) when a gothic scent wafts off of the material in a manner that evokes Henry
James’s The Turn of the Screw as much as Wells’s The Shape of Things to Come.
The Sleeper Awakes
certainly reflects Chatwin’s ongoing maturation and growth as a composer, something that’s happened
incrementally over the years as opposed to in dramatic leaps and bounds. And despite the fact that each of its concise
pieces works as a stand-alone composition, the album holds together as a cohesive whole, due in part to the careful
consideration Chatwin’s given to track sequencing and the recurring presence of the Dulcitone.





Tracklist:
01 - Sirius.flac
02 - Atoms of Amber.flac
03 - In The Fire.flac
04 - 203 Years.flac
05 - Utopia.flac
06 - Darwinism.flac
07 - Shadow
Cutting.flac
08 - Mirroring.flac
09 - A Story Of The Days To Come.flac

Summary:
Country: USA
Genre: classical, post-rock


Media Report:
Source                           : CD
Format                    
      : FLAC
Format/Info                      : Free Lossless Audio Codec, 16-bit PCM
Bit rate mode           
        : Variable
Bit rate                         : ~ 458-726 Kbps
Channel(s)                       : 2
channels
Sampling rate                    : 44.1 KHz
Bit depth                        : 16 bits

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